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Guitar Improvisation

If you are learning blues guitar, then one of your cherished goals must be to perform blues guitar improvisations. While bass guitar solos appear on few studio albums from rock or pop bands, genres such as progressive rock , fusion -influenced rock, and some types of heavy metal are more likely to include bass solos, both in studio albums and in live performances.
In my music career I did a lot of research on improvisation and I found a lot of good courses and information on the internet, but I could never find any courses that have a proper system to guide beginners to understand the theory behind it, learn what scales to use and start improvising all in one.



Therefore before attempting to improvise a solo over a chord progression or a series of chords in a particular key, it is useful to practice playing simple melodies on one (upper) nice electric guitar songs string to familiarize your ear with the intervals, or distances between those fretted notes and a static open, un-fretted (lower) string below it which is sounding simultaneously.
If you start with a scale shape, you run the risk of not following the ‘golden rule' of improvisation: to play from your musical imagination ( see section 2 above ). Instead, many players end up just ‘pushing buttons' that you they were told were ‘not wrong'.

All these songs are truly great even regardless of the lead guitar that is improvising along it. If you do not know them, take a few minutes and listen, and see the examples of a song that is taken to the next level with the exact right touches of guitar licks, riffs, and phrases.
While bebop musicianstechnically put the chromatic notes in other places anditsounded just fine in recordings, jazz theorists have codified the bebop scales into something more concrete, placing the chromatic passing tone between 6 and 5 (major bebop scales) and 8 and b7 (dominant and minor bebop scales).
Well everything I've been learning on guitar keeps my interest in it growing, but I've not been playing outside, I pactice alone and what remains for me to learn Ȋ̝̊̅ the modes and experience on how to solo, I really suck most of the time trying to solo, well I use to think it to be that I have not yet played on electric guitar, cos everything I've learnd , I have played on accoustic, so most times -ts not eazy bending noted, hammer-ons and most especially, finger tapin….

This was a turning point, because the recording consisted of a lot of guitar improvisation and experimentation, but also moved Matt to start undertaking solo performances or performances where he would get together with other musicians and improvise live.
The use of a guitar solo as an instrumental interlude was developed by blues musicians such as John Lee Hooker , Muddy Waters , and T-Bone Walker , and jazz like Charlie Christian Ernest Tubb 's 1940 honky tonk classic, Walking the Floor over You was the first "hit" recording to feature and highlight a solo by a standard electric guitar-though earlier hits featured electric lap steel guitars Blues master Lonnie Johnson had also recorded at least one electric guitar solo, but his innovation was neither much noted nor influential.

This is where musicians can get frustrated due to "hearing the music" and yet not having the guitar theory to understand what needs to be played. Everyone looking to train their ears should start by learning songs by ear. You can take a any jazz chord and create a scale from it. This is the most natural way to construct scales that make sense for the improvisor.

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