Rick Ross Type Beat (Instrumental)
This License grants Licensee a worldwide, non-exclusive license to use the Beat as incorporated in the New Song in the manners and for the purposes expressly provided for herein, subject to the sale restrictions, limitations and prohibited uses stated in this Agreement. The Licensor hereby grants to Licensee a non-exclusive license to use Master Recording in the reproduction, duplication, manufacture, and distribution of phonograph records, cassette tapes, compact disk, digital downloads, other miscellaneous audio and digital recordings, and any lifts and versions thereof (collectively, the Recordings”, and individually, a Recordings”) worldwide for up to the pressing or selling a total of Two Thousand (2000) copies of such Recordings or any combination of such Recordings, condition upon the payment to the Licensor a sum of Thirty-nine Point Ninety-five dollars ($39.95), receipt of which is confirmed.
K-pop music has steadily grown into a cultural phenomenon that has spread from Korea and attracted a massive, diverse audience across the globe, with a few of Korea's hottest exports like EXO, Pentagon, NCT-127, Blackpink, and Monsta X gaining momentum in the United States.
The frisky track about a man who could only perform for sixty seconds was considered Rated R for the times, but Missy with the help of Meyers made the video for the scandalous single fun. Background dancers keep the ante of the melody on an energetic level, even Missy gets in on the choreography which remained a staple in her music videos.
Yeung, Neil Z. "Victory Lap - Nipsey Hussle Release Info" AllMusic. The video also had cameos by Timbaland, Tamara "Taj" Johnson-George of SWV, Yo-Yo, Lil' Kim, Total, 702, Da Brat, Lil' Cease and Puff Daddy - a who's who of black music at the time of its 1997 release.
License Fee: The Licensee to shall make payment of the License Fee to Licensor on the date of this Agreement. The Licensee shall not Nipsey Hussle type beat have the right to license or sublicense any use of the Beat or of the New Song, in whole or in part, for any so-called samples”.
You have been licensed the right to use the Beat in the New Song and to commercially exploit the New Song based on the terms and conditions of this Agreement. Licensor agrees to deliver the Beat as a high-quality MP3, WAV & TRACKSTEMS, as such terms are understood in the music industry.
Licensee acknowledges and agrees that any and all rights granted to Licensee in the Beat pursuant to this Agreement are on a NON-EXCLUSIVE basis and Producer shall continue to license the Beat upon the same or similar terms and conditions as this Agreement to other potential third-party licensees.
With a mix of magic realism and Afrofuturism, Missy (with help from visionaries Dave Meyers and Hype Williams) created a world we wanted to get lost in. Her visuals to 1997's The Rain (Supa Dupa Fly),” helped set the standard for animated hip-hop music videos that can be seen today with fellow female rappers like Nicki Minaj, Tierra Whack and Doja Cat.
The frisky track about a man who could only perform for sixty seconds was considered Rated R for the times, but Missy with the help of Meyers made the video for the scandalous single fun. Background dancers keep the ante of the melody on an energetic level, even Missy gets in on the choreography which remained a staple in her music videos.